Olympic opening in Paris: Church and politics shocked by provocations

Olympic opening in Paris: Church and politics shocked by provocations

The opening ceremony of the Olympic Games in Paris has caused a stir worldwide. As a result, there was violent criticism, especially religious institutions and conservative politicians. They complain that the representation of certain scenes was perceived as disrespectful towards Christianity.

criticism of the opening ceremony

A scene is particularly controversial that reminds of Leonardo da Vincis iconic painting "The Last Lord's Supper". In this representation, the apostles of Dragqueens and a transgender model were embodied, accompanied by a partially bare singer. This visual interpretation not only caused criticism from religious circles, but also from political pages.

reactions from the Catholic Church

In an official message, the French Bishops' Conference expressed deep regret about some of the content: "Unfortunately, this ceremony also contained scenes in which Christianity was mocked and mocked," said the exact wording. The bishops emphasize that the hurtful representations have affected the feelings of many believers worldwide.

political voices from the conservative warehouse

Conservative voices, such as that of the Senator Valérie Boyer from the Républicains, described the presentation as "vision of our history, which aims to make the Christians ridiculous". Such statements reflect a broader concern about dealing with religious issues in modern art and show how the cultural discourse in France is polarized.

international reactions

The international response does not fail. The Russian Orthodox Church and the Foreign Ministry in Moscow expressed its outrage over the opening ceremony. The spiritual Wachtang Kipschidse sharply criticized the event and spoke of a "cultural-historical suicide". This strong speech makes it clear how very cultural differences and religious sensitives emerge in this discussion.

The argument for artistic freedom

Despite the extensive criticism, the organizers of the Olympic Games defend their decision to allow input from artists and creative people. Tony Estanguet, the head of the organizational committee, emphasizes the intention of creating an inclusive event that should stimulate thought. "The artistic work is free in France," explains director Thomas Jolly and points out that you never intended to be disrespectful.

FAZIT

The discussion about the opening ceremony of the Olympic Games in Paris shows how complex the relationships between art, religion and social values are. While some emphasize the freedom of creativity, there are others who feel insulted in their religiosity. This debate could significantly shape future events and their content.

- Nag