Theater experiment: Circus flair meets acting in Stuttgart!

Theater experiment: Circus flair meets acting in Stuttgart!

Baden-Baden, Deutschland - The theater production "You Can’t Do It" celebrated its premiere at ADK Baden-Württemberg on December 11, 2024. The staging, which is performed daily at 7:30 p.m. until December 14, brings together the students of the Academy of Fine Art in Stuttgart in an exciting project. Felix Glawion designs the stage design, while Valeska Kopijka and Frauke Ley assist on the stage and costumes, such as Abbreviation.de . The game revolves around the young actress Elvira, who is visited by her ancestors shortly before her appearance. In an exciting game between dream and reality, she encountered circus legends and researches the dynamics of power and submission in performing art.

At the same time, the cultural heritage around the figure of the Virgin Mary is recognized, which is considered the most important saint in Christianity. The various representations of Maria, from the breastfeeding of the Mother to the Apocalyptic woman from revelation, reflect on her central role in Christian art and spirituality. In the apocryphic texts, starting with the protective gospel of Jakobus, is reported on the life of Mary, and its importance for human salvation is emphasized. This complexity of the representation shows not only in theology, but also in the visual art, where the veneration of Mary from the Council of Ephesos in 431 increases significantly and inspires numerous works of art, such as wiki.unstanz.de

theater and art in dialogue

The combination of the theater performance and the exploration of the Marian symbolism underlines how narrow art and religion are interwoven. "You Can’t Do It" not only offers the viewers entertainment, but also a reflection on their own role and identity, while the multi -layered treatment of the Virgin Mary in art deepens understanding of religious veneration and cultural discourses on femininity and motherhood. Both events encourage people to rethink their perspectives on the performances of history, art and identity.