Pappano shines, Kosky disappointed: Wagner's valkyrie in London under the magnifying glass!

Pappano shines, Kosky disappointed: Wagner's valkyrie in London under the magnifying glass!
Royal Opera House, London, Vereinigtes Königreich - On May 8, 2025, the renowned performance of Wagner's "Walküre" will be made in be a special event in London. Under the direction of Antonio Pappano, who was the music director of the house until last season and his farewell, this masterpiece will represent one of the central highlights in the opera calendar. The complete performance will captivate many spectators with a period of five -three quarters.
PAPPANO is recognized for his artistic performance, especially for his “ring” premiere in the season after next. This work is part of Richard Wagner's extensive opera cycle "The Ring des Nibelungen", which includes the "Valkyrie" as the second work. She treats complex family relationships and is known for her powerful music, which focuses on the loving Siegmund and Sieglinde.
criticism of the staging
The musical performance under Pappano is generally praised as fluid, atmospheric and familiar. Particular attention was paid to the quality of the strings and the brass ensemble. In contrast, the production of Barrie Kosky is less well received. Critics notice that Kosky continues his perspective from the "Rheingold" by portraying Erda as a naked, ancient woman. This conventional approach is perceived by many as not very innovative.
The line -up brings with it some changes: Natalya Romaniw steps in as Sieglinde for pregnant Lise Davidsen, while Stanislas de Barbeyrac appears as Siegmund and Solomon Howard as a dog. In addition, Christopher Maltman (Wotan) and Elisabet Strid (Brünnhilde) have to struggle with the high demands of their roles, which is noticeable in their performance.
live broadcast to the cinemas
The live broadcast of the performance on May 14th in selected cinemas, which will enable a wide audience to experience this five-three quarters for hours long, should be particularly emphasized. Wagner, who is considered one of the most influential composers of the 19th century, has created a complex musical landscape with his technology of the "leitmotif" that still inspires musicians. The “Valkyrie” contains some of its best-known motifs, such as the famous “emergency hungry” sword melody and the melody of twin love.
The "Ride of the Valkyries", a striking piece of music, opens up the third act. This scene, which describes the fantastic leakages, picks up the fallen heroes from the battlefield, Wotan's heartbreaking farewell to his rebellious daughter Brünnhilde. The "Valkyrie" remains the most frequently listed opera in the entire ring cycle and captivates opera lovers and artists worldwide.
Wagner himself found support from King Ludwig II, who contributed significantly to the establishment of his work, and founded the Bayreuth Festival House, which was specially built for the "Ring" cycle. This promotion and influence of Wagner have buried his work deeply into music history, as his revolutionary approach to the music drama shows, for example. Richard Wagner leaves a legacy that is deeply rooted in culture and the development of opera and music has a lasting impact.
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Ort | Royal Opera House, London, Vereinigtes Königreich |
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