Revolution on stage: actors show themselves in the bushion

Revolution on stage: actors show themselves in the bushion

in the heart of Berlin, on the renowned Volksbühne, René Pollesch staged the extraordinary piece "The Sometown", a reflection on the theater itself. Originally written as a prose text 2011, the work with the ideas of Bertolt Brecht plays and urges the actors to free himself from the common theater conventions. According to rbb24 Essen the actors at their appearances, while in absurd Safari outfits they invite the audience behind the scenes of the theater and over nature discuss the performance.

While a Japanese backdrop hangs on the stage in front of the "back stage", the actors shed light on the emotional realities of life and dying under the camera work of Jan Speckenbach. It is no longer managed by the director, the ensemble even takes the initiative. Martin Wuttke embodies this revolt against conventional theater and says: "Not being being is crucial, everything is in becoming" that reflects the basic attitude of the piece. With this staging, a profound understanding of the actors for their roles and the relationship with the audience is visible, which has often been considered illusional in the past, berlin.de .

theater criticism in focus

"The purchase of the cut" is not only simple entertainment, but also a philosophical experiment. The question raises the question of why you actually come to the theater and what the demands on the actors and the piece themselves are. The ideas from Brecht's work are reinterpreted here. Pollesch makes it clear that the stage serves nothing more than one platform for the directors and their visions, but as a space for the self -assertion of the actors. This type of theater is referred to as an existentialist anti-ilusioning theater that arouses against the conventional understanding of theater.

The ensemble successfully tested that it is equivalent and regains control of the creative process. At a time when the theater is often shaped by interim solutions, the actors show their skills and ability to reflect on self -reflection with “buying the snatch”. It is a encouragement for the future of the theater that no longer remains alive through big names or directors.