Vandalism in Pelkum: Everyday people in the roundabout damaged again

Vandalism in Pelkum: Everyday people in the roundabout damaged again

repeat offenders: vandalism against art in Pelkum

The charming “everyday people”, which are located in the roundabout on the Alten Landwehrstraße and Kamener Strasse in Hamm-Pelkum, have again become the goal of destruction. An incident that made headlines at the end of May 2024 makes you listen and calls important questions about the security and symbolism of public art.

The incident: a missed excursion

The day a 59-year-old driver of a Peugeot caused an accident by getting off the road for unknown reasons. His journey ended roughly against the sculptures set up there, whereby these were significantly damaged. Unfortunately, the vehicle landed on the side, which underlines the drama of the incident.

artwork in danger: frequent destruction

The popular work of art, which has been drawing from passers -by since 2013, has suffered from similar incidents for the third time. Gerda and Rüdiger, as the figures are called, exemplifies the fragility of art in public space. Vandalism and accidents have added the charming couple again and again and throw a light on the risks for publicly issued works of art.

repair problems and cost

The city of Hamm has now announced that the repair of the damaged characters will take time. The condition of the figures is worrying: While Gerda is probably no longer to be saved, there is hope for the dog. However, the studio of artist Christel Lechner was very busy, so it is unclear when the sculptures will return in old form. The estimated repair costs amount to around 10,000 euros.

The value of public art for the community

public art can make an important contribution to the identity and quality of life of a district. The "everyday people" are more than just decoration; They represent community spirit and social interaction. Again and again the dark side of this form of art can be seen, because such incidents can also affect the feeling of security and appreciation for cultural elements in the city.

What does this incident mean for the future of art in the region?

The repeated attacks on the work of art could initiate a discussion about necessary protection and respectful handling of public art. Paths to avoid such incidents in the future could be the better clarification of the residents and the increased integration of art projects into the city awareness. The need for protective measures could also be underpinned by the haunting appeal to the appreciation of cultural forms of expression.

The "everyday people" are a symbol of the challenges and opportunities that public art brings with it in a constantly changing urban landscape. While the municipalities deal with the difficile du défi of vandalism, it remains to be seen how the city of Hamm reacts to the needs of its works of art and its citizens.

- Nag

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