Shock for film fans: Indie distributor about to close after the cinema closes!

Shock for film fans: Indie distributor about to close after the cinema closes!

In the world of cinema there are sometimes unexpected twists and turns that not only affect the big screen, but also the smaller but fine indie productions. Recently, indie cinema The Projector in Singapore closed its doors, putting local film distributor Anticipate Pictures in a dire situation. Vincent Quek, the founder of Anticipate Pictures, is now faced with the challenge of finding new screening locations as indie films slated for The Projector have stalled for now.  The Straits Times reports that Quek is already warning of a possible closure of his company if he does not find new venues by the end of October.

The Projector, which closed permanently on August 19, was a central platform for numerous films that are now looking for new opportunities. In total, around fifteen films are affected, including the local science fiction comedy “We Can Save The World!!!” and the Japanese drama “Renoir.” According to Quek, it is crucial that the films be shown in cinemas with professional digital projection and surround sound systems as the screening requirements are high.  The Business Times adds that the classifications of the films, such as M18 or R21, also require special licenses.

The location of Anticipate Pictures

The search for new venues is extremely challenging. Quek is in talks with major chains such as Shaw and Cathay, but many of these cinemas require an upfront payment, known as four-walling. This practice could have a significant impact on Anticipate Pictures' financial position, as such an arrangement would require Quek to pay for each seat in advance, jeopardizing its profitability. It turns out that even well-functioning indie distribution companies like Anticipate Pictures face serious difficulties, especially since the operators of state institutions are often unwilling to adopt a risky, revenue-based model.

Quek is visibly affected by the developments and describes the relationship with The Projector as “intimately intertwined”. The loss feels like the loss of a family member. At the same time, he reports rumors about possible interested parties who could try to save The Projector, but concrete news is still pending. The operating company, Pocket Cinema, is $1.2 million in debt, further complicating the situation. The announced creditors' meeting on voluntary liquidation is scheduled for August 29, which further increases the pressure on the company.

Cultural challenges for indie cinemas

The closure of The Projector shines a spotlight on the challenges faced by independent cinemas, not just in Singapore but worldwide. In Germany, for example, there are ongoing discussions about the existence of independent films. Film funding plays a key role here, but the definition of indie films is often vague. EPD film describes that many German films could be considered independent because large studios have little influence on production. Nevertheless, many indie films are fighting for their place in cinemas. This is where festivals come into play, which play a central role in the visibility of independent films and underline their relevance.

Overall, it shows that the world of indie cinema is vulnerable and urgently needs support. Quek hopes that his catalog of 80 films, available for screening in other formats, will help him weather the current crisis. A generous landlord could help him preserve the cultural heritage of indie cinema in Singapore and beyond.