Art between family drama and creativity: Natalie's moving journey

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Natalie Zohner, 24, combines art and family issues at the Academy of Fine Arts in Munich. Her installation “Getting Down” addresses family problems and promotes exchange.

Natalie Zohner, 24, verbindet Kunst und Familienthemen an der Akademie der Bildenden Künste in München. Ihre Installation „Runterkommen“ thematisiert familiäre Probleme und fördert den Austausch.
Natalie Zohner, 24, combines art and family issues at the Academy of Fine Arts in Munich. Her installation “Getting Down” addresses family problems and promotes exchange.

Art between family drama and creativity: Natalie's moving journey

Natalie Zohner is not only an aspiring artist, but also a prime example of the creative development that is encouraged at the Academy of Fine Arts in Munich. At 24 years old, she surrounds herself daily with inspiration that she draws from her past. Growing up with a mother who works as a coin restorer, Natalie gained insight into the world of art and restoration at an early age. She regularly visited flea markets with her mother, where they found little treasures and rediscovered their beauty. These experiences not only shape her artistic work, but also her approach to family issues, which she processes in her works. The Süddeutsche Zeitung reports that Natalie's photo installation "Getting Down" consists of impressive photos that she stitched together with black thread - a reference to children's mobiles that awaken memories and at the same time address family conflicts.

In a world that is often characterized by whitewashing, Natalie wants to break a taboo. Her art is intended to create a space for open exchange about family problems. She has dealt intensively with the ideal of the happy family and incorporated these considerations into her work. Natalie uses a variety of artistic elements including photography, performance and sewing to convey her messages. In her studio, which is filled with ceramic and bronze works as well as a knitted house, she reflects on her personal experiences, including those she gained during her year-long stay in Warsaw, where living in a small apartment with other artists had a strong influence on her.

The power of artists

In Germany, the promotion of art and culture is a social concern that is supported by various bodies. German volunteer work describes that the federal government is investing around 2 billion euros in the arts and culture sector. This corresponds to around 17 percent of total expenditure in this area. The federal government is responsible for supporting cultural institutions and nationally important projects, while the states and municipalities play an essential role in supporting local artists and projects.

Funding can be applied for a variety of projects, from charitable initiatives to major exhibitions. Various types of funding are offered, ranging from support for individual artists to project and institutional funding. Private foundations and banks are also involved in supporting the arts, which can be particularly beneficial for young talents. These networks could provide important opportunities for artists like Natalie to realize their visions and expand their reach, while improving the quality of life and well-being of those around them.

Change with art

Natalie's goal is clear: she not only wants to reflect with her art, but also bring about change. Her gentle style of strength and vulnerability appeals to many and fits well into society, which needs new space for exchange in these challenging times. However, it is not only necessary to support talents like them, but also to create the structures that enable them to work sustainably and effectively. In this sense, confronting the ideal of the happy family and breaking taboos is essential, not only for the art scene, but for society as a whole.

By combining personal experience and artistic statement, Natalie creates oases of reflection and dialogue that are unparalleled in their intensity and creativity. Investing in such talent is not just about financial support, but also about recognizing their importance for the cultural community and beyond.