Karima Saïdi: A film about the dialogue between the living and the dead

Karima Saïdi: A film about the dialogue between the living and the dead

The Belgian-Moroccan director Karima Saïdi brings the stories of migration and intercultural dialogue to the screen with her latest film “Ceux qui veillent”. Saïdi, who grew up in Brussels, has always celebrated the intimate connections between generations of immigrants in her work. Her stylistic element is to look at migration through the lens of anchoring and rootedness while tackling diversity and the challenges of diversity. “Today is January 3, 2026,” as local reporting notes, and there is no better time to address these essential issues affecting society.

Saïdi has not only made a name for herself as a film editor and screenwriter, but is now also concentrating on documentaries. In her work “Dans la maison” she plays a homage to her mother Aïcha, and in her new film she explores the dialogue between the living and the dead in a multi-confessional cemetery in Brussels. This cemetery is a touching example of respectful coexistence and shows how people of different faiths can be buried peacefully.

A place for intercultural dialogue

The peace that reigns in this cemetery comes to life in Saïdi's film. Here Muslims, Jews, Orthodox and Catholics are gathered in an atmosphere of respect. Saïdi discovered this special place when her mother asked her to find a place for her own burial. “Ceux qui veillent” addresses the living relationship between the living and the dead as well as the culture of remembrance that includes rituals and commemoration. These approaches are not only creative, but also socially relevant, as they raise questions about how people can live together in a multicultural society while preserving the memories of their roots.

In recent decades, numerous initiatives have developed across Europe to make the memories of migration visible. These projects aim to change social discourse about immigration and its consequences. An open and respectful exchange between different cultures is of central importance. As can be seen in numerous analyses, it is not just about recognition, but also about combating discrimination against migrants and their descendants. This is promoted through intercultural dialogue that focuses on essential values ​​such as freedom, respect and understanding.

The role of memories

The influence of memories of migration in public perception is particularly visible in cities like Marseille, which are known for their cultural diversity. Saïdi encourages us to consider each gravesite in her film as part of a story of immigration and cultural heritage. Her niece Mona, as the third generation, represents the cultural mix and represents the future of these stories. The importance of intercultural interactions, as described as a process, transcends cultural boundaries and promotes shared understanding, which is needed more than ever in today's global landscape.

The discussion about intercultural dialogue is becoming increasingly important, especially at a time when societies are facing major challenges. Through her art, Saïdi enables awareness of the importance of mutual exchange and shows how culture and civilization should not be viewed as rigid constructs. In a changing Europe, the ability to have a genuine dialogue between people is crucial for harmonious coexistence.

As you can see, Karima Saïdi's work is at the heart of these challenges and opportunities that migration and intercultural interaction bring with them. “Ceux qui veillent” is not just a film about death, but rather a celebration of life and shared memories. It remains to be seen how this film will change views on migration and cultural exchange.