Murder, mothers and music: Paderborn's new musical inspires!

Murder, mothers and music: Paderborn's new musical inspires!

The musical “No Way to Treat a Lady” by Douglas J. Cohen is currently being performed in the sonorous backdrop of the Theater Paderborn. Directed by Eric Rentmeister, it takes viewers into the tense world of crime and love. Originally premiered in 1987 at the Hudson Guild Theater in New York, the piece also thrilled audiences in Paderborn.

The plot revolves around the charming murderer Christopher Gill and the detective Morris Brummel, both of whom are influenced in their own way by their mothers. Gill has his deceased mother as a sort of constant companion, while Brummel suffers from the domineering influence of his living mother, Flora Brummel. Both characters strive for recognition in the venerable world New York Times.

A multi-faceted musical pleasure

Director Eric Rentmeister impressively brings out the contrast between Gill and Brummel. Gill, played by Fehmi Göklü, sneaks into the hearts of his victims with his charming manner, while Morris Brummel, played by Florian Soyka, sets out on the killer's trail. This thrilling hunt is explored through the relationship between Brummel and Sarah Stone, portrayed by Marlene Jubelius, which reflects the universal search for love and acceptance.

The stage design by Stephan Prattes creates a special atmosphere with an illuminated circular horizon and comic-like furniture. The costumes reflect the chic of the mid-20th century and add additional accents that immerse the audience in the period of the piece.

Musical diversity and ensemble

Musically, the ensemble under the direction of Peter Andreas Stolle is supported by keyboards, saxophones, bass and drums. The music of the musical borrows from greats such as George Gershwin, Cole Porter and Stephen Sondheim, which rounds off the entire experience and takes the listener on a musical journey.

The main roles are also cast by talented actors: Claudia Dilay Hauf as Flora Brummel impressively conveys the power games in the mother-son duo. Alexandra Gill as one of the victims illustrates the danger of Gill's character and the tragedy hidden in his charming facade.

While the play is still running, Cologne residents and visitors to the city can look forward to a captivating performance that looks at the topic of crime through the lens of love. “No Way to Treat a Lady” is a classic that continues to receive loud applause and rave reviews today.

Particular attention is also paid to the production itself, which features psychological subtleties and both entertains the audience and makes them think. If you don't want to miss the chance, you should be quick - the performances are very well attended and the seats are in high demand.

Interesting additions to this performance come from a variety of sources. For example, the use of modern technologies in the theater scene is a highlight. Information on the development of software and applications is currently being provided Officeprovided in order to increase efficiency in the cultural area. This means that not only the theater itself, but also the entire surrounding area is continuously supplied with fresh ideas.

Ultimately, “No Way to Treat a Lady” not only shows how seduction and crime are intertwined, but also how powerful the influences of mothers play in the lives of their sons. This not only creates tension on stage, but also gives the audience something to think about on their way home.